Director:
John Sayles
Starring:
Danny Huston
Maria Bello
Daryl Hannah
Miguel Ferrer
Chris Cooper
Kris Kristofferson
Release: 17 Sept. 04
IMDb
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Silver City
BY: DAVID PERRY
Always the activist, John Sayles takes clear aim at the Bush
administration with Silver City, timing it to have an impact on the upcoming
election despite the fact that most Sayles fans are likely liberals anyway.
But preaching to the choir can still be profitable (just ask Michael Moore),
and Sayles chooses to ignite his passion for politics in the film, which
might be the main reason why Silver City ultimately fails.
In many ways emulating Robert Altman’s Nashville, Silver City isn’t so much
about the characters who exist within the story, but the socio-political
meaning of their relations. But unlike Nashville, the character dynamics are
so short-changed that the politicking becomes overbearing (he even inserts
faux campaign commercials for the film’s inept conservative, played by a
wonderful Chris Cooper, now running in the Colorado gubernatorial election
whose powerful father and extensive business connections will ride him into
the governor’s mansions and possibly the White House). Sayles isn’t at his
best when he lets the Message of his work overpower the devices he’s found,
which is partly why Limbo, his masterpiece, will be remembered for its
statements on storytelling, not its statements on the crude development of
Alaska.
Here he’s styling everything in a Man of Marble/Chinatown style, producing a
private detective (Huston) to piece together a story of corporate greed and
mistreatment of Mexican immigrants. Unlikely to convert anyone not already
on the boat, these two issues are pure Sayles but his ungainly way of
dealing with them feels more parody than treatise, and the film’s concluding
moments only further the film’s need for a running laugh track.
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